When near the end of day, life has drained
Out of light, and it is too soon
For the mind of night to have darkened things,
No place looks like itself, loss of outline
Makes everything look strangely in-between,
Unsure of what has been, or what might come.
In this wan light, even trees seem groundless.
In a while it will be night, but nothing
Here seems TO believe the relief of dark.
You are in this time of the interim
Where everything seems withheld.
The path you took to get here has washed out;
The way forward is still concealed from you.
"The old is not old enough to have died away;,
The new is still too young to be born."
You cannot lay claim to anything;
In this place of dusk,
Your eyes are blurred;
And there is no mirror.
Everyone else has lost sight of your heart
And you can see nowhere to put your trust;
You know you have to make your own way through.
As far as you can, hold your confidence.
Do not allow your confusion to squander
This call which is loosening
Your roots in false ground,
That you might com free
From all you have outgrown.
What is being transfigured here is your mind,
And it is difficult and slow to become new.
The more faithfully you can endure here,
The more refined your heart will become
For your arrival in the new dawn.
-John O'Donohue
Monday, May 9, 2016
Wednesday, May 4, 2016
the Funeral and the Performance
There was a funeral. And then there was a performance. And the two ran together in some goopy mess. Singing at the funeral. Crying at the performance.
A great man was buried.
A mystical scene was performed.
I thought I'd be ok at the performance which was after the funeral. But there was a bathroom passing. An intermission where I distinctly knew her in passing as she paused after speaking with him, the performer and his man bun, (which by the way kind of repulses me) but that, my friends, is beside the point. I saw her for the first time. She is pretty. She seems kind. Good. All the same, I had this weird flash of wanting to help her with tips--to make it work, you know. Cause I kind of need for it to work. I need for him to be stable. I need for him to be grounded and taken care of by her. I realize this sounds kind of fucked up--that I actual think about managing his narcissism in some sort of clinical way like some sort of pet to be looked after for the weekend get-away, but I do. I do as part of the get-the-hell-out exit strategy. I think I do it selfishly. And while its practical, it isn't altruistic.
And I feel guilty for such. I feel awful thinking of her as a means to escape in a cost-benefit analysis sort of way, as if she is not a human being. And believe me the irony is not lost upon me. Because this is exactly what he does. Sees people as things to use and abuse for whatever pressing needs he has. And I ask myself if I'm becoming like him? Are we attending the funeral of my own soul?
And then I wander elsewhere to the awful imagining of the future and what is likely to happen to her and her soul with him.
He is likely to crush her soul.
Because that is exactly what he does.
He is likely to suck the life blood out of her, like a vampire, leaving her a shell of the woman she is now. It is almost as if I can predict the future--magical seer that I now am.
And in the split second on the way to the bathroom, it was as if the future and the past and present congealed in the intermission. Her look of disguised recognition and avoidance, where she seemed to dramatically drop out of the bathroom line to avoid standing near my presumed wrath, anger, and hatred. None of which seem to be on the list of emotions I was able to conjure out of the air and actually feel. All I could feel in that coagulated moment was guilt and sadness and the ripping pain of knowing the future hole in the space where her soul once was. I felt the imagined grief of her future pressing in on us as my own dark past with him pressed in from the other side. I wanted to reach out and hold her hand with some sort of nod to the sacred feminine spirit and tell her how sorry I am in advance for not warning her. She is part of the sisterhood, after all.
Instead, I stood in line, no acknowledgment of recognition, trying to be true to myself, neither feeding the resting bitch image she needs to see me as, nor firing off the SOS flares into the dark sky. I acted the part of the clueless woman visiting the bathroom during the intermission of a performance.
The performance--but that is the sticking point. Act 2, scene 4. The scene I get stuck in is the one where I desperately try to be the powerless actress that surrenders to the ending of the play, ok with the knowledge of autonomous human beings fucking up their own lives, yet desperately driven by a seemingly magical healing force inside that wants to help, even those that want not my help. The guilt in the wake of healing potential or not. Preventing harm. Futures that while not set in stone, still seem ominous. I feel the weight of Merlin, in just trying to be faithful to who I am, and whom I'm meant to be, and whom I'm meant to heal in life. Of all people, she is not my responsibility. This I know. All the same it's complicated. And the healing always bleeds over into every corner of my life. It is not meant to be contained in some sort of healing box.
The healing piece shows up at funerals and performances alike and in brief moments in passing your ex husband's new girlfriend in the bathroom who wants to hate you and it is probably best if she does, anyway. And the healing dresses those wounds in tears.
This is the weight of being in the healing arts. The weight of being in proximity to something you don't really control, you only facilitate it, and sometimes see the pathway to help someone, even your ex's new GF; all of this married to the knowledge that you can only heal when someone wants healing and of course she doesn't--not from you anyway--antichrist that you most obviously are...
The specific tragedy this time is intimately knowing the two extreme poles. Knowing both the real sorrow she might find herself in down the road with him and the joy of authentic living in walking the wounded down the healing pilgrimage. Two counterfactual worlds adjacent one another.
And the tragic powerlessness is overwhelming, in watching her standing on the edge of the Dementor's vortex, being readied for the soul chewing up and spitting out into the void. I know this sorrow, this grief, this monster that lies in the murky waters. I know the countless days of praying for death, just to escape, yet hanging on by a thread.
And so there I was. Caught in the interim between a performance and a funeral. What was the performance? Was it mine? Was it hers? Or was it something else altogether? And who's death was being mourned? It was all too blurry and too looped together, intertwined like the caduceus.
I suppose that is why I found myself sobbing at a performance and singing at a funeral. The funeral felt more beautiful with a healer soul flying into the collective unconscious finally being a bit more free.
While the performance was overwhelmingly sad and heavy with the weight of seeing another soul begin her walk down the suffering path. I wept at the seeming endlessness and loneliness of the narcissistic journey on repeat. I wept at my own healing loneliness and powerlessness in carrying the weight of the world and nobody really giving a damn about it, my own journey doomed to repeat. It was only then that the loss of the great Scott gone hit me. And I began to feel the looming heaviness of the absence of a fellow soul carrier gone elsewhere. And I wished he could weigh in on the goopy mess of it all and still just be a part of the sorting out of all the snakes.
A great man was buried.
A mystical scene was performed.
I thought I'd be ok at the performance which was after the funeral. But there was a bathroom passing. An intermission where I distinctly knew her in passing as she paused after speaking with him, the performer and his man bun, (which by the way kind of repulses me) but that, my friends, is beside the point. I saw her for the first time. She is pretty. She seems kind. Good. All the same, I had this weird flash of wanting to help her with tips--to make it work, you know. Cause I kind of need for it to work. I need for him to be stable. I need for him to be grounded and taken care of by her. I realize this sounds kind of fucked up--that I actual think about managing his narcissism in some sort of clinical way like some sort of pet to be looked after for the weekend get-away, but I do. I do as part of the get-the-hell-out exit strategy. I think I do it selfishly. And while its practical, it isn't altruistic.
And I feel guilty for such. I feel awful thinking of her as a means to escape in a cost-benefit analysis sort of way, as if she is not a human being. And believe me the irony is not lost upon me. Because this is exactly what he does. Sees people as things to use and abuse for whatever pressing needs he has. And I ask myself if I'm becoming like him? Are we attending the funeral of my own soul?
And then I wander elsewhere to the awful imagining of the future and what is likely to happen to her and her soul with him.
He is likely to crush her soul.
Because that is exactly what he does.
He is likely to suck the life blood out of her, like a vampire, leaving her a shell of the woman she is now. It is almost as if I can predict the future--magical seer that I now am.
And in the split second on the way to the bathroom, it was as if the future and the past and present congealed in the intermission. Her look of disguised recognition and avoidance, where she seemed to dramatically drop out of the bathroom line to avoid standing near my presumed wrath, anger, and hatred. None of which seem to be on the list of emotions I was able to conjure out of the air and actually feel. All I could feel in that coagulated moment was guilt and sadness and the ripping pain of knowing the future hole in the space where her soul once was. I felt the imagined grief of her future pressing in on us as my own dark past with him pressed in from the other side. I wanted to reach out and hold her hand with some sort of nod to the sacred feminine spirit and tell her how sorry I am in advance for not warning her. She is part of the sisterhood, after all.
Instead, I stood in line, no acknowledgment of recognition, trying to be true to myself, neither feeding the resting bitch image she needs to see me as, nor firing off the SOS flares into the dark sky. I acted the part of the clueless woman visiting the bathroom during the intermission of a performance.
The performance--but that is the sticking point. Act 2, scene 4. The scene I get stuck in is the one where I desperately try to be the powerless actress that surrenders to the ending of the play, ok with the knowledge of autonomous human beings fucking up their own lives, yet desperately driven by a seemingly magical healing force inside that wants to help, even those that want not my help. The guilt in the wake of healing potential or not. Preventing harm. Futures that while not set in stone, still seem ominous. I feel the weight of Merlin, in just trying to be faithful to who I am, and whom I'm meant to be, and whom I'm meant to heal in life. Of all people, she is not my responsibility. This I know. All the same it's complicated. And the healing always bleeds over into every corner of my life. It is not meant to be contained in some sort of healing box.
The healing piece shows up at funerals and performances alike and in brief moments in passing your ex husband's new girlfriend in the bathroom who wants to hate you and it is probably best if she does, anyway. And the healing dresses those wounds in tears.
This is the weight of being in the healing arts. The weight of being in proximity to something you don't really control, you only facilitate it, and sometimes see the pathway to help someone, even your ex's new GF; all of this married to the knowledge that you can only heal when someone wants healing and of course she doesn't--not from you anyway--antichrist that you most obviously are...
The specific tragedy this time is intimately knowing the two extreme poles. Knowing both the real sorrow she might find herself in down the road with him and the joy of authentic living in walking the wounded down the healing pilgrimage. Two counterfactual worlds adjacent one another.
And the tragic powerlessness is overwhelming, in watching her standing on the edge of the Dementor's vortex, being readied for the soul chewing up and spitting out into the void. I know this sorrow, this grief, this monster that lies in the murky waters. I know the countless days of praying for death, just to escape, yet hanging on by a thread.
And so there I was. Caught in the interim between a performance and a funeral. What was the performance? Was it mine? Was it hers? Or was it something else altogether? And who's death was being mourned? It was all too blurry and too looped together, intertwined like the caduceus.
I suppose that is why I found myself sobbing at a performance and singing at a funeral. The funeral felt more beautiful with a healer soul flying into the collective unconscious finally being a bit more free.
While the performance was overwhelmingly sad and heavy with the weight of seeing another soul begin her walk down the suffering path. I wept at the seeming endlessness and loneliness of the narcissistic journey on repeat. I wept at my own healing loneliness and powerlessness in carrying the weight of the world and nobody really giving a damn about it, my own journey doomed to repeat. It was only then that the loss of the great Scott gone hit me. And I began to feel the looming heaviness of the absence of a fellow soul carrier gone elsewhere. And I wished he could weigh in on the goopy mess of it all and still just be a part of the sorting out of all the snakes.
Sunday, May 1, 2016
It's Not
I keep going round and round on the same old circuit.
A wire travels underground to a vacant lot,
where something I can't see interrupts the current.
And shrinks the picture down to a tiny dot.
And from behind the screen,
it can look so perfect.
But it's not.
So here I'm sitting in my car
at the same old stoplight.
I keep waiting for a change,
But I don't know what.
So red turns into green turning into yellow
but I'm just frozen here on the same old spot.
And all I have to do is press the pedal.
But I'm not.
No, I'm not.
Well people are tricky
You can't afford to show
Anything risky
Anything they don't know
The moment you try
Well kiss it goodbye.
So baby kiss me like a drug
Like a respirator.
And let me fall into the dream of the astronaut.
Where I get lost in space
that goes on forever.
And you may call the rest
just an afterthought.
And I believe its you
who could make it better
But its not.
No, its not
No, its not.
--Aimee Mann
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