The Story

One of my favorite books is The Things They Carried by Tim O'Brien. An apparent, loosely related collection of short stories, with one repeated over and over where Tim kills the punchline and tells you the ending of the story over and over, as the reader, you almost reach the maddenly, irate point at the redundancy. You feel like you've got it already, as if Tim is deliberately insulting your intelligence as a reader. That arrogant writer, who clearly thinks I'm not paying attention to the Curt Lemming story?  Enough, already....

And then it eventually hits you, that you've never felt the story. And this matters to the story. In fact, this means that you've never really heard the story in spite of his telling it over and over. Somehow, you didn't quite get it that Tim held back the pieces that matter. Until, you've really heard the story--which incidentally, is the uncircumcised poignancy of the story intact. And that's when you finally feel it all most acutely.

Today, in this new land of towers. I told the first layer of the story I've been hearing and telling to those that want to hear for nigh on 20 years. The backstory, really--of how my ex came to be evil. The story that birthed my ex on the path to narcissism. How the darkness of death and grief at the ripe old age of two started the cascade and transformation to being a pathological lying sort of person that feels no empathy, in spite of anything.   

As I told it, it struck me in quite a different way, a rather new way, more than it has in the past. My experience of different people listening to the story shaped my sense of the story, itself. Telling it was such a different experience. It was an entirely different story. For the first time, I felt a large distance from the story. And this--this little bit of distance was good.

For the first time, I didn't feel entirely entangled up in the web of compassion and empathy for my ex narcissist. While I was in touch with the traumatic circumstances of his childhood, I could see the steps he has deliberately taken; whereby he decided to sever himself from compassion, cause it might get in the way of getting your way if you're a narcissist.

And I saw anew the power of the story. The power of telling it over and over again. The power of retelling it in a different way, to a different crowd. I saw anew the story itself transformed by the telling of it. And somehow the sense that, just like Tim O'Brien, I've never really told the story in such a way that the emotion gets understood by the listener. And that is the story that most needs to be told.

Pilgrimages

(To get us through on this journey a poem by R.S. Thomas)

There is an island there is no going

to but in a small boat, the way

the saints went, traveling the gallery

of the frightened faces of

the long-drowned, munching gravel

of its beaches. So I have gone

up the salt lane to the building

with the stone altar, and the candles

gone out, and kneeled and lifted

my eyes to the furious gargoyle

of the owl that is like a god

gone small and resentful. There

is no body in the stained window

of the sky now. Am I too late?

Were they too late also, those

first pilgrims? He is such a fast

God, always before us, and

leaving as we arrive.

There are those here

not given to prayer, whose office

is the blank sea that they say daily.

What they listen to is not

hymns, but the slow chemistry of the soil,

that turns saints’ bones into dust,

due to an irritant of the nostril.

There is no time on this island.

The swinging pendulum of the tide

has no clock; the events

are dateless. The people are not

late or soon; they are just

here, with only the one question

to ask, which life answers

by being in them. It is I

who ask. Was the pilgrimage

I made to come to my own

self, to learn that, in times

like these, and for one like me,

God will never be plain and

out there, but dark rather, and

inexplicable, as though he were in here?

-R.S. Thomas

Writing Exercise: Five Core Values

This comes from the book: Ensouling Language by Stephen Harrod Buhner.

Directions: Choose 5 deeply meaningful words, ones that approximate the center of who you are and evoke emotive content for you. Write them down. Any words will do--as long as they are meaningful to you.

Example. Earth, Stone, Green, Leaves, Plants.

Or another. Love, Happiness, Child, Wandering, Hope.

Here was my list: Soul, Compassion, Creativity, Healing, Intuition.

Do this part of the exercise now without reading the rest of the directions...

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Next. "Write five poems, each of which uses all five of the words. You can use as many other words as you want, nevertheless each poem must contain all five of the words you have chosen. Take as much time as you need..."

When done, read the poems in sequence. You might be amazed by what comes out. Here are all five of mine in order...

One
the soul of healing
grabs intuition
and holds on
birthing compassion
creativity's apex.

Two
intuition speaks from soul
breathing with compassion
creating a healing force
magical enough
that few believe its existence.

Three
the real trick in life
is ferreting out compassion
from soul
when poured empty
and used up.
creativity wanders in
searching for healing intuition
that has sporified
in order to survive.

Four
living the soul's creativity
heals the parts of
intuition, wounded by those
that sacrifice
compassion on pain's altar.

Five
healing
pilgrimage of creativity
to soul's center.
seeking out
bits that keep us human.
splinters
most wanting of compassion.
the inward glance
pains.
but, in the stumbling dark
intuition
holds our hand.